Britney Spears – Baby One More Time
The album Baby One More Time was released in 1999 and became the most successful album for Britney Spears (33). It won her the hearts of millions of fans and made her hugely popular all over the world.

Spice Girls – Wannabe.
This is the Spice Girls debut single, which became a real hit. The song was in rotation 502 times a week and stayed at the top of the British charts for seven weeks. It became the impetus for the group’s worldwide popularity, by the end of the year topping the charts in 21 more countries.

Ricky Martin – Livin’ La Vida Loca
Ricky Martin is an amazing Puerto Rican pop musician. I’m sure there isn’t a person on earth who hasn’t heard Livin’ La Vida Loca, which was the biggest hit of his career.

Backstreet Boys – Everybody
The Backstreet Boys are one of the coolest boy’s pop bands, my whole room was covered in their posters. Everybody is the first single from Backstreet Boys second studio album. The song became a real calling card of the band.

MC Hammer – U Can’t Touch This
MC Hammer is an American rapper, his real name is Stanley Kirk Berel. This track was recorded and mixed on the mobile studio in the bus during the tour and became a real hit.

Bad Boys Blue – You Are A Woman
These guys are really cool! They have released over 30 hits that have topped the charts in many countries. And the song You Are A Woman is their most famous and favorite track.

No Doubt – Don’t Speak
No Doubt is a famous pop band led by the stunning Gwen Stefani. Their most successful album was Tragic Kingdom, and their coolest track Don’t Speak topped the charts. The album sold over 230,000 copies in its first week.

Madonna – Frozen.
Rounding up our hit parade is the incomparable Queen of Pop, Madonna! With her ballad Frozen she topped the charts in UK and got a legitimate second place in the list of 100 hottest tracks in USA.

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Ariana Grande began her professional career in show business in 2008 in the Broadway musical Thirteen. In 2009, she got the role of Cat Valentine in the television series “Victoria the Winner” on Nickelodeon, then continued to play her in the television series “Sam and Cat”, which was broadcast in 2013-2014. Ariana also participated in the recording of soundtracks and the voiceover of cartoons (in particular, the animated series “Winx Club”). In 2015, she returned to television screens with a cameo role as Sonia Herfman in the series Scream Queens.

Lady Gaga.
Stefani Joanne Angelina Germanotta was born on March 28, 1986. Known by her stage name Lady GaGa, the singer and songwriter from America works in the direction of electronic pop music.

Born into a low-income family, Stephanie is the eldest child of Italian entrepreneurs Joseph Germanotta and Cynthia Bissett. At the age of four she taught herself to play the piano, picking up tunes by ear, and as a child she sang songs by Cyndi Lauper and Michael Jackson, recording her voice on a cheap tape recorder.

Billie Eilish
Billie Eilish Pirate Baird O’Connell (born December 18, 2001) is an American singer and songwriter. She gained her first popularity in 2016, after releasing her debut single “Ocean Eyes” on the music distribution platform SoundCloud. She caught the attention of record labels Darkroom and Interscope Records, subsequently re-releasing “Ocean Eyes.”

Her debut mini-album Don’t Smile At Me was released on August 11, 2017. The mini-album reached the top 15 in the U.S., U.K., Canada and Australia and spawned the single “Bellyache.” Ailish also collaborated with American singer Khalid for the single “Lovely,” which was released in April 2018 and added to the soundtrack for the second season of 13 Reasons Why.

Rihanna
Robyn Rihanna Fenty (Eng. Robyn Rihanna Fenty; born February 20, 1988, Cin Michael, Barbados) was born on February 20, 1988 to Ronald and Monica Fenty. Her mother was from Guyana and her father was born and raised in Barbados. The prospect to spend their entire lives on a tiny island with a population of 250 thousand people, located in the Caribbean region, was expected and a gifted girl. However, she since childhood was a perky character and did not pass up in front of difficulties. Rihanna participated in amateur talent shows and won children’s beauty contests. “For as long as I can remember, I’ve always sung,” she recalled of her childhood. – But my parents never paid any attention to that. I just really wanted to sing, I adored music, listened to everything I wanted and sang as I could, inventing my own vocal style.”

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Multi-track recording (from the 1960s) and digital sampling (from the 1980s) were also used as methods for creating and developing pop music. In the mid-1960s, pop music repeatedly mastered new sounds, styles, and techniques that inspired its listeners’ public discourse. The word “progressive” was used frequently, and it was thought that each song and single should be an “extension” from the last. Music critic Simon Reynolds writes that, beginning in 1967, there would be a divide between “progressive” pop music and “mass/chart pop,” a division that “was also, broadly speaking, a division between boys and girls, middle class and working class. -the academic class.”

In the second half of the 20th century, a large-scale trend emerged in American culture as the boundaries between art and pop became increasingly blurred. Between 1950 and 1970 there was a debate between pop music and art. Since then, some music publications recognized the legitimacy of music, and this trend was called “poptimism”.

Stylistic Evolution
The British Invasion of the 1960s marked a period when the U.S. charts were flooded with British artists such as the Beatles (pictured 1964).

Throughout its development, pop music absorbed influences from other genres of popular music. Early pop music drew on sentimental ballads in its form, using vocal harmonies from gospel and soul music, instruments from jazz and rock, orchestration from classical music, tempo from dance music, sustain from electronic music, rhythmic elements from hip-hop music, and spoken passages from rap. In 2016, Scientific ReportsA study that examined more than 464,000 recordings of popular music recorded between 1955 and 2010 found that since the 1960s, pop music has found less diversity in pitch change, an increase in average volume level, less variety in instrumentation and recording techniques, and less timbral diversity.

In the 1960s most popular pop music fell into two categories: guitar, drum & bass bands or singers backed by a traditional orchestra. Since the beginning of the decade it has been commonplace for pop producers, songwriters and engineers to experiment freely with musical form, orchestration, unnatural reverb and other sound effects. Some of the best known examples are Phil Spector’s “Wall of Sound” and Joe Meek’s use of homemade electronic sound effects for artists such as Tornados.

Before the emergence of progressive pop music in the late 1960s, performers were generally unable to define the artistic content of their music. With the economic boom of the mid-1960s, record companies began investing in artists, giving them the freedom to experiment and offering them limited control over their content and marketing. This situation worsened after the late 1970s and would not be repeated until the emergence of Internet stars. Indie-pop, which emerged in the late 1970s, marked another departure from the glamour of modern pop music, when guitar bands formed on the then-new premise that one could record and release his own music without the need for a recording contract.from a major label.

Michael Jackson (left) and Madonna (right), known respectively as “the king and queen of pop” since the 1980s.
The 1980s are usually remembered for the increasing use of digital recording, associated with the use of synthesizers, with the rise in popularity of synth-pop music and other electronic genres using non-traditional instruments. By 2014, pop music worldwide was permeated by electronic dance music . In 2018, researchers at the University of California, Irvine concluded that pop music has become “sadder” since the 1980s. Elements of happiness and brightness were eventually replaced by electronic beats, making pop music more “sad but danceable.”

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